Internal linguistic factors no longer guide sound change in its very late stages: A real-time acoustic-phonetic study of ł-vocalisation in Polish People’s Republic newsreels
Several theoretical works link many segmental changes to coarticulatory patterns, whereby overlap between adjacent sounds introduces systematic acoustic variation in the speech signal. These models predict that real-time data should show an early concentration of change in promoting contexts, followed by gradual spread and levelling across initially non-promoting contexts; this pattern is indeed observed at early stages. The present study provides real-time acoustic–dynamic evidence that, at a very late stage, a similar change appears no longer to be guided by coarticulatory factors.
Using 150,000 tokens from 20 speakers in Polish People’s Republic newsreels (PKF, 1944–1994), we perceptually coded underlying /ł/ as [ł], [Ł], or [w] in three positions (CV , VCV , VC) across three periods (1944–1959, 1960–1979, 1980–1994). [Ł] denotes an acoustically intermediate, labialised variant with reduced apical contact. F2–F1 trajectories proxying the acoustic “darkness” were modelled with GAMMs as a function of time, category, adjacent segments, stress, duration, and frequency, with random effects for lemma and speaker.
Results show a shift from a [ł, Ł, w] system to [w] via a reduced [Ł, w] system, with positional asymmetries: the change advanced fastest in VC, was intermediate in VCV , and slowest in CV . Darker variants were favoured next to /ɔ, u/ and labial or velar consonants. Crucially, these coarticulatory effects remained stable over time. This contrasts with early-stage patterns, which predict contextual effects that weaken as innovations spread, and suggests that late-stage change is no longer guided by coarticulation.
Velarised laterals in the service of a “new, better reality”: Lifespan change and audience design in the official newsreels of the Polish People’s Republic
This study investigates lifespan phonetic change in the realization of Polish /ł/ in three narrators (AŁ, KŚ, JR) of the Polska Kronika Filmowa (PKF), the state-controlled newsreels of the communist regime, produced between 1944 and 1994.
By the twentieth century, Polish had completed /ł/-vocalization in both onset and coda positions. While the vernacular [w] had become dominant by the 1920s, stage diction manuals and normative discourse continued to prescribe the velarized lateral [ł] well into the 1960s, treating it as a prestige form associated with theatre, broadcasting, and professional speech. By the 1980s, however, this norm was increasingly perceived as artificial and obsolete, paralleling the weakening authority of official propaganda. Within Bell’s (1984) framework of “audience design” and “referee design”, PKF narration exemplified a performative register oriented toward an abstract referee (the propaganda authority), but gradually shifted toward more audience-oriented styles as the political system evolved.
The corpus analysed comprises 13,257 tokens of underlying /ł/ perceptually classified as velarised lateral [ł], reduced velarised lateral [Ł] and bilabial glide [w]. Dynamic acoustic measurements of F2–F1 as a proxy of the acoustic “darkness” were extracted across lateral segments and adjacent vowels, and modelled using Generalized Additive Mixed Models (GAMMs). Predictors included phonetic variant, period of recording, stress, segmental context, duration, and lexical frequency.
Results reveal three distinct phonological systems and lifespan trajectories: AŁ produced all three variants ([ł], [Ł], [w]), with lateral forms dominating. Over his career, acoustically, [w] and [Ł] became progressively darker, while [ł] remained rigid and near-invariant diachronically. The distribution and acoustic properties suggest reinforcement of a prescriptive norm, especially in VC position, contrary to cross-linguistic expectations of coda ł-vocalization. KŚ never produced canonical [ł] but realised both [Ł] and [w]. In CV position, [Ł] and [w] acoustically converged over time, losing distinctiveness by the end of his career; in VC position, however, the two remained stably distinct. His trajectory thus reflects partial normative design, but one insufficient to restore the canonical lateral. JR realized only [w] throughout his 32-year career, with no diachronic acoustic shift. His stable use of the vocalized variant reflects alignment with community norms (audience design), rather than prescriptive standards.
These results contribute to models of late-stage sound change by showing that, once internal phonetic pressures cease to drive change, stylistic forces—shaped by the role of mass media as a site of linguistic normativity and accommodation—can generate divergent individual trajectories.